Exchange modules can be connected in a chain using connectors at the rear of the module, and then synchronised to handle larger, more complex patches. The chain inputs and outputs can also be accessed through front-panel jacks using the Expander module.

Features

• 8×8 digitally-controlled analog patching matrix
• Signal range: -10V to +10V
• 64 programmable preset slots
• USB MIDI note/PC preset change control
• Trigger sequence/trigger random/CV preset change input with programmable preset sequence range
• 8 patch chain inputs and outputs (on module rear)
• Programmable selection between an individual chain and jack inputs
• Automatic detection of input jack insertion, and switching between chain and jack inputs
• Highlighting of connection routes for inputs/outputs across chained modules
• Data Bus for synchronising presets and highlighting connections across multiple modules

Specifications

• Width: 12hp
• Depth: 32mm
• Power: +12V: 7.7mA, -12V: 7.4mA, 5V: 93mA

https://archaea.co.uk/exchange/

The post Archaea Modular Exchange Eurorack Routing Module appeared first on Elevator Sound.

If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix.

Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits.
Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers.

Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can also use the module as a stereo filter and VCA.

A level knob sets the volume of the outputs, making it easy to integrate the module as an end-of-chain FX, or to set the level of the return when using the module as an AUX bus FX.

Specifications

• Width: 8hp
• Depth: 27mm
• Power: +12V 90mA / -12V 80mA

Manufacturer product page here.

The post Cosmotronic Aphelion Eurorack Stereo Distortion, Filter and VCA Module (Black) appeared first on Elevator Sound.

If you need even more dirt, there’s a handy +12dB gain switch, to really overdrive the signal. If you want to keep your low-end undistorted, you can switch on the Low-cut filter. A Wet/Dry mix knob gives additional control over how much of the original signal is left in the mix.

Designed with a performance-oriented layout, it has a large knob that controls a seamless high-pass and low-pass filter combination, reminiscent of filter effects found on DJ consoles. This filter is placed after the distortion circuits.
Another performance feature is the filter bypass switch, facilitating instant reintroduction of all frequencies into the mix upon release—a great tool for live performers.

Of course there is CV control over the Low and High cutoff, and the Drive gain amount, so using CV you can also use the module as a stereo filter and VCA.

A level knob sets the volume of the outputs, making it easy to integrate the module as an end-of-chain FX, or to set the level of the return when using the module as an AUX bus FX.

Specifications

• Width: 8hp
• Depth: 27mm
• Power: +12V 90mA / -12V 80mA

Manufacturer product page here.

The post Cosmotronic Aphelion Eurorack Stereo Distortion, Filter and VCA Module (Silver) appeared first on Elevator Sound.

The original Performance Mixer changed the eurorack landscape when it first came out, it made mixing much more intuitive and instant, it allowed people to ditch the heavy outboard mixer, and keep their system patched while they traveled. It made using individual drum modules and multiple voices easy to keep straight in a packed dark room. We know this because you all wrote us with praise, and with suggestions to make it better. Almost all of those suggestions have been engineered and are in the new unit, plus a few features that push the concept further.

Upgrades

• Noise Performance 2 – On the Original, the Level VCA was before the Panning VCAs, which saved on parts/power, but it meant that the Panning VCAs were always connected to the mix bus, adding noise floor that couldn’t be attenuated. Making all the channels stereo and putting the Pan circuit first eliminated this problem, now the noise add is controlled by the fader. This did force me to make every channel stereo, so the design got simpler through figuring this out.
• Panning / Crossfader – The above panning/level improvement made it possible to convert the Pan control into a crossfader, buy simply routing the post pan signals through a switch to the opposing channel, summed at the Level control. This huge improvement allowed the A/&/B input switching scheme to still work on the PM MKII, a bit differently, but its there in spirit.
• Modular Design – The channel strips are all now stereo, and identical, which makes assembly much easier, and lowers the cost. It also makes replacing them easier should a mechanical part fail or get spilled into. Further, the Patchbay, Power board, and Master section are all separate parts, so if there’s a failure, they can be quickly swapped without having to RMA the whole unit.
• Patchbay – The MKI and rev E MKII still had jacks misaligned with channels. This was a source of frustration for myself and many users of the PM MKI. And I decided to just be done with it. It didn’t make sense to try to put jacks over the channel, it wasted too much space on the panel… So all the jacks go left, keeping the mixer clear of cables, this let me space the knobs out a bit to take up all 3U. It’s cleaner, simpler to make, and intuitive to use.
• Expandability – It’s super modular now, the DB25 can connect to any two headers that spits out audio, they’re all the same format across PM MKII and Channels MKII. Pre, post, mixes, connect it however you want. And the connectors can’t be hooked to power, meaning no more blown opamps and RMAs to the factory. They’re all shrouded too so they won’t get bent in shipping!

Features

• 8 Stereo or Dual Mono Inputs
• 2x Stereo Auxes
• Balanced (TRS) Main Outputs
• Soft Mute Per Channel
• Group Button for Simultaneous Cue/Mute/Bus routing Changes
• Pan/Crossfade Switch for dual mono inputs per channel (panned center)
• Second Bus for Submixing (and/or operation)
• Stereo Cue Mix Bus (TRS Output Jack)
• 3.5mm Headphone Jack with Cue/Mix pot
• MIDI output sends CCs for Pan, Level, Aux1, Aux2 positions – Capture your mix in your DAW
• Rear Headers for Pre and Post Fader/Pan outputs to DB25/3.5mm Jacks
• Clip Indicator on Input Gain Pot
• LEVEL and AUX2 CV can SUM or operate as VCAs
• AUX2 can be Pre Fade or Post Fade
• Channel strips are field replaceable if a pot or fader fails.
• Expandable up to 24 Stereo Channels
• Returns Expansion adds 3x AUX return stereo inputs
• CV control over Pan, Level, Aux1, and Aux2
• CV flows to MIDI
• Channel Inserts: Rear cables per channel allow for future insertable effects
• Firmware update via Memory Card
• Integrated Soft Start on Power Up

Specifications

• Width: 52hp
• Depth: 36mm
• Power: +12V 550mA / -12V 520mA

Manufacturer product page here.

The post WMD Performance Mixer MKII Eurorack Stereo Mixer Module appeared first on Elevator Sound.

These inputs use an elaborate analog circuit to model the dynamic behaviour of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments. Unlike lowpass gate modules though, Lublin reduces gain while retaining the full frequency bandwidth, so it is perfect for harmonically rich signals, like our Odessa additive VCO. The vactrol-like behaviour is just a starting point as the envelope may be varied within a wide range using a switch (natural, shortened and prolonged response) and a potentiometer, so you are not stuck with one decay characteristic. Therefore, you can use it not only to create bongos, but also for fat compressed kicks! The built-in gain control circuit (saturating CV instead of the audio signal) prevents distortion from excessive amplification. Lublin is DC-coupled, so you can use it to process CV as well as audio signals.

Features

• Dual Voltage-Controlled Amplifier
• High quality, low noise and distortion, DC-coupled signal path
• Ping inputs for emulating vactrol response
• Three variants of ping response
• Exponential CV response with adjustable sensitivity
• Gain limiting circuit for protection against signal clipping

Specifications

• Width: 6hp
• Depth: 33mm
• Power: +12V 40mA / -12V 20mA

Manufacturer product page here.

The post Xaoc Devices Lublin Eurorack Dual Pingable VCA Module appeared first on Elevator Sound.

When used globally, the module offers a powerful window comparator whith CV-controlled top setting. The outputs benefit from three triple-position switches, allowing independently settable polarity and muting. Three LEDs indicate the output logic to keep track of what’s happening.

Features

• Two independent channels, A & B, also useable globally as a window comparator
• Normalized input A copies the signal into input B for window comparison
• Hi and Lo bipolar threshold adjustment knobs
• Hi input adds to the Hi setting knob
• Separate outputs for: above Hi setting, between Hi and Lo settings, below Lo setting
• 3-position switch on each output offers: Inverted Logic, Output Mute, Normal Logic
• Outputs can be ORed with a multiple
• Useable for audio or triggering
• Compact module

Specifications

• Width: 3hp
• Depth: 28mm
• Power: +12V 22mA / -12V 11mA

Manufacturer product page here.

The post Klavis ComPair Eurorack Window Dual Voltage Comparator Module (Silver) appeared first on Elevator Sound.

When used globally, the module offers a powerful window comparator whith CV-controlled top setting. The outputs benefit from three triple-position switches, allowing independently settable polarity and muting. Three LEDs indicate the output logic to keep track of what’s happening.

Features

• Two independent channels, A & B, also useable globally as a window comparator
• Normalized input A copies the signal into input B for window comparison
• Hi and Lo bipolar threshold adjustment knobs
• Hi input adds to the Hi setting knob
• Separate outputs for: above Hi setting, between Hi and Lo settings, below Lo setting
• 3-position switch on each output offers: Inverted Logic, Output Mute, Normal Logic
• Outputs can be ORed with a multiple
• Useable for audio or triggering
• Compact module

Specifications

• Width: 3hp
• Depth: 28mm
• Power: +12V 22mA / -12V 11mA

Manufacturer product page here.

The post Klavis ComPair Eurorack Window Dual Voltage Comparator Module (Black) appeared first on Elevator Sound.

Two channels offer control over gain and offset. A three-position switch allows muting the channel and inverting the modulation polarity without impacting the offset. A pair of LEDs tell the amplitude and polarity of the output signal; with audio signals, both LEDs light up together!

Normalizing of the inputs avoids using a multiple when a signal is dispatched to two targets. Normalizing of the outputs offers an extra mixer, summing the two channels, very handy as an audio mixer too.

The Tweakers Plus is a perfect companion for modules whose modulation inputs lack such amenities. Activating predefined settings at the flick of a switch is paramount for live situations. Being able to prepare two sets of carefully adjusted settings for a given signal is even more useful.

Features

• Two independent channels also useable jointly as a mixer or splitter
• Offset setting is independent of the polarity switch
• Normalized input A can distribute the signal in both channels
• Normalized outputs can mix the two channels on out B
• Useable for audio

Specifications

• Width: 16hp
• Depth: 33mm
• Power: +12V 23mA / -12V 25mA

Manufacturer product page here.

The post Klavis Tweakers Plus Eurorack Dual Gain Offset Polarity Mute CV Processor Module (Black) appeared first on Elevator Sound.

Quickly transfer patches you created on the computer and play them on your MetaModule without swapping disks or USB drives.

Features

• Connects to an existing Wi-Fi network (2.4GHz, 802.11 b/g/n)
• Connects to MetaModule with included 2×4 cable
• Point your web browser to the Wi-Fi Expander’s address, and transfer patch files and browse the contents of the MetaModule
• Firmware is updated by the MetaModule, so features can be expanded as the MetaModule evolves

Specifications

• Width: 4hp
• Depth: 25mm
• Power: +12V 50mA / -12V 0mA

Manufacturer product page here.

The post 4ms MetaModule Wi-Fi Expander Eurorack Module appeared first on Elevator Sound.

Onboard dynamic phase alignment, smart tap tempo detection and locked vs live modes make gloc excellent for performative and generative temporal exploration!

Features

• Tap tempo clock generator
• 1 clock input to 7 output Clock processor
• Manual or CV control over the spread of clock divisions/multiplications
• Probabilistic “coin-toss” logic for random phrasing
• Probabilistic density masking for repeated phrasing
• Manual Pulse width control over Clock Pulse outputs
• Dedicated Clock Reset input
• Live and Lockable Clock output states
• Smart tempo follower and manual button
• Save and recall settings between power cycles

Specifications

• Width: 4hp
• Depth: 31mm
• Power: +12v 75mA / -12v 0mA

Manufacturer product page here.
Product manual here.

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